His ultraviolets are so clean and sthenic, in one with the blacks, till to the poit not to lose autonomy in the aesthetical context.
Single or mingled, indeed, the don't get overheated
neither get cold more than
that near the carnation, either white-rose or burnished, of the busters wimen images. As for offering to the anthropological reflection a space-temporal limit that, if is not unpublished, does not touch the customary course.
So there are forming all around articulations of abstracted type in figurative field; and such to substantiate che composition-representation of a kind of emblematic permanence of internal contents,
the painter from Rieti and roman of adoption Ezio Farinelli "...he was able to be a figurative artist and
at the same time a metaphysical one."
Where on the scene appears, bordering, the "tentacled city", with its "undiversified dormitoires" and the "disparity of the fortunes" (operas these passed in main part to the ownership and to the privileged collecting, that knows how the syntax of painting is elevated on the morphology, also pictorica) the Art of the painter from Rieti has taken wing, touching beaches that have the aroma of a classical culture...
....... the artist departs from a clean sensory perception: it can be a landscape a, detailed horizon, a face, ..... to go all over the walk from that reality to his metaphoric, from the sensory appearance to another well more disturbed and deep perception of the imaginary one and of the unconscious..... perhaps, his tension is not anguish but hope anymore, expectation, trust. For Farinelli, most part of the contents of a possible rebirth or continuity of the existence, reside in the noblest part of the humanity, that he doesn't miss to point out in the woman........
........ In an epoch of crisis and deep uncertainties, it is almost a prodigy that a painter succeeds to growth in an his own coherence of a search till to find again intact the meaning and message value of the art. Farinelli is inserted in a sublime tradition of painting and at the same time reveals one hot actuality as testimony of an epic and human ideal,
of an eagerness of truth, of a will to still shape in an image the dream and the vision of the mankind finding again a personal identity and a personal position in the reality..............
........ Farinelli's painting is exploratory: his aesthetical sense prevails on the concept problems: he is not indifferent and he doesn't ignore their difficulties but the temperament of impetuous colorist, bright, radiant, brings him to resolve the most arduous experiments in unstable balance between the abstract and the figurative one, the informal one and the realism.
He is in love with the beauty and therefore prepared to every compromise with his ideas, provided that the beauty exists in every his own picture, in every his own colour......
preparing the canvas the painter uses a very original technique in which the phenomenon and the
process of "combustus" are managed till to determine a
controlled reaction of oxidation. The procedure, matured during
years of experimentation started in 1975, is implemented by recurring to
an operation of "burning"through which natural pigments and
base colours are treated using heat sources in a way that the material
be first splitted and later on reformed through a controlled
cooling. The chromatic fadings generated by the burning of the
colours give rise to peculiar "reticula", non homogeneous and
irregulars, where lines and elements result as a sort of